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It was massive, expensive, risky, and uncertain.
But once it was released, none of that hesitation mattered anymore.
Titanic didn’t just succeed, it took over.
He became a phenomenon, the kind of fame that didn’t just follow him, but surrounded him, reshaped him, and reduced him into an image that the world could consume.
Leomania.
He was no longer just choosing roles, he was carrying [music] expectations.
And almost immediately, he started pulling away from it.
He moved into projects like The Man in the Iron Mask [music] and Celebrity, testing different spaces and different identities.
But the reactions were mixed.